Learn Guitar Online, Eddie Van Halen - 3 Tips For Lead Guitar

By Mike P Hayes

There are so many sounds you can get out of a guitar by just tapping, hammering, bending, harmonics, vibrato bar, feedback, you name it, Eddie Van Halen has tried it!

Eddie Van Halen is one of rock's true guitar innovators ... you've heard him on Van Halen's hits: Eruption, Jump, Mean Street, Fair Warning, Spanish Fly where he squeezes every little noise he can out of his guitar without using an (electronic) effect.

Additionally Eddie has played many outstanding guitar solos for other high profile Artists ... check out Michael Jackson's hit "Thriller" (from the album of the same name) to hear a classic Eddie Van Halen solo.

Here is just a small sample of some of the techniques Eddie employs in his complex guitar style, remember Eddie prefers to work at getting natural effects from his guitar rather than relying on echo, reverb, chorus, flanging and other electronic effects.

Here is three tips to get you started with Van Halen's solos

Tip 1: Arpeggios

Playing arpeggios is a lost art for most guitar players, in fact a great many guitarist's don't have a clue what an arpeggio is. There is a reason for this guitar instruction books started to phase out arpeggios around 1961. Only a very small number of guitar publications have continued to include arpeggio studies in their method books.

This is most unfortunate as a well balanced musician must practice scales and arpeggios equally. Today, with the focus almost entirely on scales it's no wonder guitar players have difficulty working out a Van Halen solo!

An arpeggio is simply playing the notes in a chord consecutively, in the hands of a skillful player arpeggios eliminate the need for a chord accompaniment as the arpeggios spell out the harmonic
changes.

Here are the three structures in music: (1) scales = horizontal structures, (2) chords = vertical structures, (3) arpeggios = oblique structures.

As musical examples in the key of C ...a C major scale (horizontal structure) C, D, E, F, G, A, B, C this would be a melody.

A C major chord (vertical structure) would be the notes C, E , G played simultaneously this is what happens when you strum a "C" major chord on the guitar as an accompaniment to a melody.

Whereas a C major arpeggio (oblique structure) would be the notes C, E, G played consecutively.

Notice how the notes in the "C" major arpeggio are exactly the same as the notes in a "C" major chord the difference is way the notes are played. With a chord the notes are played simultaneously i.e., all the notes are played at once while the arpeggios is played as a broken chord.

Tip 2: Linear scales

One of the keys to Eddie Van Halen's style is the way he approaches the guitar fretboard. Eddie plays many of his scales an arpeggios on linear fashion, this adds an element of excitement similar to what you can hear in Gypsy guitar music.

There's always element of risk when playing the guitar this way ... the performer may not always make it, and the audience can feel this!

It's a great way to play if you know your fretboard.

Try playing a C major scale using only the first string, starting in the open "E", play the following notes E = open, F = 1st fret, G = 3rd fret, A = 5th fret, B = 7th fret, C = 8th fret, D = 10th fret, E = 12th fret.

As you will have noticed this is not the traditional way of playing a "C" major scale by starting on the note "E" and continuing up the fingerboard until we reach the octave "E" we have in fact played an "E" Phrygian mode.

Now play the "G" major scale notes on the same string: starting in the open "E", play the following notes E = open, F # = 2nd fret, G = 3rd fret, A = 5th fret, B = 7th fret, C = 8th fret, D = 10th fret, E = 12th fret.

Again, you will note this is not the traditional way of playing a "G" major scale by starting on the note "E" and continuing up the fingerboard until we reach the octave "E" remembering to sharpen the F (because of the G major key signature of one sharp) we have played an "E" Aeolian mode.

Tip 3: Two handed arpeggios

This is one of the most popular Van Halen two handed techniques. Eddie basically came up with the idea (which is like having a 6th finger on your left hand) of trying to extend the basic rock technique of pulling-off notes with the 3rd and 4th fingers down to the 1st finger.

The concept is to use your right hand index finger (assuming you are right handed) to play the first note of a musical phrase, then drag your index finger downwards toward the floor, as you do this the string will be plucked by the index finger.

Here is a musical example: C major arpeggio ( C - E - G) played entirely on the first string.

Step 1: place your left hand index finger on the 8th fret first string (C = 8th fret)

Step 2: place your left hand 4th finger on the 12th fret first string (E = 12 fret)

Step 3: play "G" on the 15th fret with your right hand index finger (the note is produced by tapping down on the note with your index finger in the same way you would hammer-on to a note).

Step 4: drag your right hand index finger downward creating a pull-off effect, the string will return to it's point of rest whereby playing the note "E" which you had previously set in place with your left hand 4th finger.

Step 5: now drag the left hand fourth finger downwards creating another pull-off, again the string will return to it's point of rest this time playing the note "C" on the 8th fret first string.

The power in Van Halen's solo's comes from his music not from his amplification.

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=> http://www.guitarcoaching.com

Play Guitar by Ear and Get Compliments From Everyone!

By Logan Young

"He plays guitar by ear." This is what probably every guitarist dreams of hearing from his or her admirers. In fact this is one of the most beautiful compliments a guitarist can get.

What exactly is this seemingly magical skill? It means to listen to a song and then play it on your guitar. Wow! Only an expert can do this. But don't lose heart. Experts, too, were beginners at some point of their lives. And if they can reach a level of playing guitar by ear, so can you.

The Quickest Way

To develop this skill, the shortest possible way is to identify with the basic music principles that work behind every hit number. For this, you need to have a good ear for music for becoming an active participant in music jamming sessions.

Don't get frustrated, if your tutor or any guitarist that you know does not tell you how to play guitar by ear. They have nothing against you. The problem actually is they find it difficult, to explain to you how they play by ear.

The guitarists who have mastered this musical skill never considered explaining the "how" part of it. It just comes naturally to them. It has been observed that most guitarists who possess this wonderful skill are "illiterate" when it comes to reading typical music notations. They are also ignorant of the theory that might help them in expressing their skill in the form of some principles of tones and rhythms.

Unfortunately, till today, no musician has penned down this skill into words so that students can read the theory and learn how to play guitar by ear. On top of it, there is the old wife's tale, which says, "You have either got it or you ain't!" This statement might de-motivate many guitar learners to even try playing by ear. However, this should not be the case. Once you gain mastery over the guitar, a time will come when you simply hear a song and you would be able to play it on your guitar! But, one thing is certain - you will have to learn to do it by yourself.

Private Tutors Won't Help

If you think your private music instructor will teach you how to learn this skill, you are wrong. Dig this:

Most of the guitar tutors teach through traditional books on guitar playing. Such tutors can themselves not play by ear, so, it's obvious that they can't teach you.
The courses such tutors teach concentrate on skills like sight reading. They pay more attention to technical aspects of playing the guitar such as arpeggios and scales. Although they are important elements of guitar playing, they won't help you in learning the art of playing what you hear.

People don't care whether you can produce hundreds of practiced songs on your guitar. The only thing that will make them go "ooh" and "ah" and say "He's a good guitarist" or "She is a great guitarist" is when you play the song THEY want to hear on the spot.

Imagine you are in a party and somebody asks you to play a particular song on your guitar. What would you do? To avoid falling into embarrassing situations, it's wise to learn to play guitar by ear.

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